Set the Night on Fire: L.A. in the Sixties - Mike Davis , Jon Wiener

Written by Mike Davis, Jon Wiener
Read by Ron Butler
Format: MP3
Bitrate: 64 Kbps
Unabridged

Set the Night on Fire: L.A. in the Sixties
by Mike Davis , Jon Wiener
Narrated by: Ron Butler

· Length: 25 hrs and 25 mins

A magisterial, riveting movement history of Los Angeles in the Sixties

Los Angeles in the sixties was a hotbed of political and social upheaval. The city was a launchpad for Black Power—where Malcolm X and Angela Davis first came to prominence and the Watts uprising shook the nation. The city was home to the Chicano Blowouts and Chicano Moratorium, as well as being the birthplace of “Asian American” as a political identity. It was a locus of the antiwar movement, gay liberation movement, and women’s movement, and, of course, the capital of California counterculture.

Mike Davis and Jon Wiener provide the first comprehensive movement history of L.A. in the sixties, drawing on extensive archival research and dozens of interviews with principal figures, as well as the authors’ storied personal histories as activists.
Following on from Davis’s award winning L.A. history, City of Quartz, Set the Night on Fire is a historical tour de force, delivered in scintillating and fiercely beautiful prose.

Publishers Weekly—“Davis and Wiener synthesize the disparate experiences of different L.A. constituencies. They cover the 1967 Century City police riot, which helped to turn public opinion against Republican mayor Sam Yorty, and a series of demonstrations collectively known as the Battle of the Sunset Strip that politicized many middle-class and white teens. Taking an eclectic, mosaic approach, the authors return often to the role of police violence in suppressing progressive activists, and the growing backlash from conservative Angelenos who helped lift Ronald Reagan and Richard Nixon to national politics. Davis and Wiener write with passion and deep knowledge of their subject, but this overstuffed and often-disjointed account would have benefited from tighter editing. Nevertheless, this is an indispensable portrait of an unexplored chapter in the history of American progressivism.”