In Montmartre: Picasso, Matisse and the Birth of Modernist Art - Sue Roe

Written by Sue Roe
Read by Emma Lang
Format: MP3
Bitrate: 64 Kbps
Unabridged

Publisher: Penguin Random House Audio Publishing Group
Release date: April 21, 2015
Duration: 12:51:20

A lively and deeply researched group biography of the figures who transformed the world of art in bohemian Paris in the first decade of the twentieth century

In Montmartre is a colorful history of the birth of Modernist art as it arose from one of the most astonishing collections of artistic talent ever assembled. It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside of Paris’s famous windmill-topped district. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joins the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more, in revolutionizing artistic expression.

Sue Roe has blended exceptional scholarship with graceful prose to write this remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of movements like Fauvism, Cubism, and Futurism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. Relating the colorful lives and complicated relationships of this dramatic bohemian scene, Roe illuminates the excitement of the moment when these bold experiments in artistic representation and performance began to take shape.

A thrilling account, In Montmartre captures an extraordinary group on the cusp of fame and immortality. Through their stories, Roe brings to life one of the key moments in the history of art.

A review - In order to do justice to the story of the artists inhabiting Montmartre during the early twentieth century, a narrator must be able to pronounce all the French places and artists. Emma Bering clearly has that skill, yet the non-French-speaking listener may need a French grammar. Even commonly used French words (”rapport,” “bistro,” “bric-a-brac”) are pronounced in the French manner. Bering’s voice is lovely and engaging, and her pacing is excellent. Those who speak French may want to give this a listen. Those who don’t might best read the book in print